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Tuesday, April 7, 2026 | Start 8:00 p.m. | Stadtkino im Künstlerhaus | Free Entry!

Opening of the festival by festival director Sigrun Höllrigl

 

POETRY PERFORMANCE FILM AWARD 
Moderation & spoken word performances Katharina Wenty
Live voting in the cinema!

 

The opening night is traditionally an audience night. Poetry films from around the world will be shown, including films from Oman, the USA, Canada, France, the Netherlands, Portugal, Greece, Hungary, Estonia, and Turkey. They are all dedicated to performance poetry. Spoken word artist and organizer Katharina Wenty will lead through the night. The audience will vote for the winning film, which will receive prize money of €1000.
 

Come and vote live for the winner! 

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Bitter Süß in Berlin featuring Wynton Kelly Stevenson
2018| DE | 4min 44s
Directors: RonAmber Deloney, Jorg Branco Pokall, Maxim Jokaa Argilagos
Poet: RonAmber Deloney

In Berlin, there was a cafe in Schoeneberg called Toronto. The streets outside were cobblestone and the building reminded me of downtown Vienna near Stephansplatz. The poem is jazz and the lyrics are sultry, inviting the listener to grab a coffee and enjoy the scenery.
https://www.newnightbabies.com/

Inheritance
2025 | OM | 5 min 25s
Directors: Fatma Najjar, Nada W. Al Kharusi
Poet: Nada W. Al Kharusi

The BECOMING - A journey of creating BELONGING into INHERITANCE

Inheritance originated in the form of a poem, residing in Nada’s published photographic poetry book"Release | Inner conversations to Lead US Home."The BECOMING - A journey of creating BELONGING into INHERITANCE. At the heart of this film lies the exploration and reclamation of her inherited identity as an Arab Middle Eastern Omani Muslim Woman. Each of these labels held the weight of conformity carried throughout her life. Yet her life never fully conformed to the conventional expectations of her inherited labels. This automatically put her in the ‘less of’ category of what an Arab Middle Eastern Muslim Woman is defined to be - ‘not Muslim enough’, ‘not Arab enough’, ‘not Woman enough’. Naturally this embedded within her a sense of not belonging. A form of separation from her land, people and inherited identity. It was in the deep longing to connect to her ancestral lineage that she heard a call from the people of her land to reconcile and bridge the gap between her lived human experience and inherited identity. In this film she honours this call by sharing her inner transformation journey from separation to belonging. The weight of conformity is represented by the water in the clay pot, calling to be unlearned. The mystic surreal landscape of the salt flats echoes her sacredness, while the salt holds the power to cleanse, preserve, and to transform - becoming the silent witness to her inner transformation to belonging that is free from disowning her truth, essence and authenticity. By using her outfit design as a visual language to communicate her perspective, she re-creates her own meaning, interpretation, understanding of her inherited labels and beliefs to align with her soul knowing. She chose to use adornments to depict the common thread across the Arab and Middle Eastern world – made by her hand to reiterate the act of weaving belonging into her inheritance. The elements selected to design the adornments were silver and wool thread - silver being the soul of Oman and the wool thread being connection.

https://www.facebook.com/bynwk

The Angel's Story
2025 | FR | 1m 35s
Director: Erika Thomas
Poet: Erika Thomas

Polaroid photographs of a city. Words emerge to converse with the sounds of the streets. A poetic journey through Paris, far from the usual tourist clichés. From July to November 2024, I traveled through all twenty Parisian arrondissements, grouping them into five routes (four arrondissements per route). The aim of my urban wanderings was to use my Polaroid camera to collect words from the city - words on signs, books, posters, shop windows, etc. - and to use these words to create poems. They would be the fruit of a certain chance. Why Polaroids? Because it is both instantaneous and delayed (15 minutes for the photograph to reveal itself). Its images are slightly blurred, like all memories. And also because, since the new boom in Polaroid photography, few artists have taken an interest in the word and the poetry associated with this visual art. All this work can be read here:
https://vimeo.com/1133941896

Beside Myself
2024 | US | 3m
Director: H. Paul Moon
Poet: Bob Holman

“BESIDE MYSELF” is a poem/film that engages the reader/viewer to trade places with the poet for a generative new thing that can, with your help, change the world.
Step outside yourself, look back at yourself, whom do you see? That’s the question Bob Holman asks in “BESIDE MYSELF.” Fighting the metaphorical with the literal, H. Paul Moon's film captures a small band of Bob's friends voicing the poem in alternating identities, scored by composer David T. Little, for this meditative reflection on A.I. and the life cycle of the creative process.

 

Naval Ode
2024 | PT | 6m
Director: Fu Len
Poet: Fernando Pessoa

The poem Naval Ode - "Ode Maritima" - by Fernando Pessoa captures the movement of separation between the dock and the ship, and thus the distance – between the inside and the outside, between myself and the other. The text is embodied by a mysterious and suspended dance, imbued with nostalgic desire, which swells like a sail.Fu LE is an award winning filmmaker and choreographer in the Tetrapode dance company in France. Graduated in sculpture at the Art Crafts National School in Paris, he then trained in physical theater and in contemporary dance in Argentina, Belgium and Switzerland.

https://www.tetrapode.fr/Genese-Urbaine.GC.htm

Marinating
2025 | NL | 4m 17s
Director: Helmie Stil, Sjaan Flikweert
Poet: Sjaan Flikweert

Marinating is a poem about the powerful vulnerability of opening your heart and your mind to another. In this intimate description, two people surrender their brains, their own thoughts, to the other and allow themselves to be influenced. It is an equal act, in which they both yield. Marinating is a loving resistance against the fear of the influence we can have on each other. A painful yet empowering reminder of our interdependence.

Sensible
2025 I FR I 7m
Director: Axel Chemin
Poet: Axel Chemin

“In the heart of emptiness, as well as in the heart of man, there are fires that burn.” SENSIBLE invites us to experience, through dance and the works of Yves Klein, a sensory and hypnotic journey. 

https://ediff.co.uk/interviews

Fear not Fear itself
2024 | US | 4m 58s
Director: Dawn Westlake
Poet: Dawn Westlake

Using musical poetry performed within typical American backdrops, “Fear Not Fear Itself” warns against the atypical rise of hate and authoritarianism in the United States.
https://dawnwestlake.com/fear-not-fear-itself/

THE HUNT
2022 | TR | 4m 28s
Director: Arda Gül & Mert Kamiller aka [BADpoetry]
Poet: Çağla Meknuze

The HUNT is a timeless and placeless poetry film that traces the enduring persecution of women across centuries. The film combines the legacy of the witch hunts in medieval Europe with a poem composed of monologues inspired by the lives of women from around the world, past and present. These monologues depict situations that women everywhere may face, evoking contemporary witch hunts in countries such as Afghanistan and Iran—not as metaphor, but as lived reality. Performed and written by the poet herself, and accompanied by music composed specifically for the film, the work transforms personal testimony into a collective echo—standing for the countless women whose voices were silenced, erased, or never recorded. Blending poetry, music, sound, performance, and image, The HUNT reveals how the hunt continues—reshaped, renamed, but unbroken.

 

Senses
2025 | US | 4m 36s
Directors: Adrean Mangiardi, Mark Levin
Poet: Mark Levin

Mark Levin's poem "Senses" explores the idea that our perceptions and sensory experiences may not reflect reality as we believe. It questions the reliability of what we see, hear, and feel, suggesting that our understanding of the world is shaped by illusions or misconceptions. Through reflective and thought-provoking language, Levin challenges viewers to reconsider how they interpret their surroundings and the truth behind their senses.
Adrean Mangiardi is a Deaf filmmaker, producer, and editor whose work bridges art, accessibility, and storytelling. With over twenty years in film and video production, he has built a reputation for creating visually striking, inclusive, and emotionally resonant projects that center authentic Deaf representation. After losing his hearing, Adrean discovered a new way of experiencing the world, through vision, rhythm, and connection.

Still
2025 | HU | 6m
Director: Vivien Tóth
Poet: Vivien Tóth

Still is a lyrical poetry short film about a woman who moves through the world feeling strangely misplaced — like an object left behind, present yet unseen. Drifting between fragments of everyday life, she experiences the quiet dissonance of being everything for others while slowly losing touch with herself. Through intimate images and the rhythm of spoken poetry, the film traces a subtle inner journey: from emotional fragmentation toward a fragile but conscious return to self. The visual language mirrors the poem’s emotional landscape, where absence and presence exist at the same time, and identity is something that can dissolve — and be rediscovered. Still speaks about those in-between states we rarely name: when we are no longer who we were, but not yet who we are becoming. It is a meditation on vulnerability, self-recognition, and the quiet strength it takes to come back to oneself.

Good Dogs
2025 | CA | 6m 59s
Director: Maria Giesbrecht
Poet: Maria Giesbrecht

Good Dogs is a poetry film that trails after the purpose of language like a dog chasing its own tail: looping,
delighted, slightly unruly, and endlessly curious about meaning.
https://mariagiesbrecht.com/

 

You Heard Me
2021 | NL | 2m 6s
Director: Edith Morris
Poet: Drea Chuma

YOU HEARD ME is the poet's own "John Coltrane, A love Supreme" poem, a break-through psalm. The visual exploration of the poem, together with the music offers a new way of seeing and feeling the poem. This piece combines chalk green screen animations and textured analog video layers.

YES!
2024 | EE | 3m 13s
Director: Madli Lääne
Poet: Joonas Veelmaa

Should we push ourselves into a box, or shall we dare to be wrong? In a world that rewards success, failure
might be the most radical act. Based on the poem of European Poetry Slam Champion 2023 Joonas Veelmaa, film YES!
challenges the pressure of a society obsessed with achievement.
MADLI LÄÄNE is an Estonian filmmaker and lecturer. Her films delve into the contemporary art of loneliness, exploring
how bodies in space reveal the emotional chaos lurking behind the pursuit of perfection, all while navigating the delightful tension of modern life.

IDE8L
2024 | GR | 8m 3a
Directors: Aristarchos Papadaniel, Giannis Chlempakos
Poets: Giorgos Oikonomidis, Akos Daskalopoulos

Farewell screenings at the historic Cine IDEAL. The longest-running cinema in Greece -102 years of continuous operation- “suddenly falls silent” and the music of 100-year-old Mimis Plessas (1924-2024), the most influential Greek composer of film musicals, is heard for the last time, bidding farewell in a cinematic mystique and touching ideally the eternal. IDE8L is the last audiovisual work to be filmed with songs and music by Mimis Plessas, with the much-beloved Greek film score composer’s permission.

Mein Fuhrer Blues
2025 | FR | 3m 40s
Director: Jim Hall
Poet: Jim Hall

Canary Canard Studios has the Blues… 
A studio recording session has a Window on the World and an Eye on America. We aren't afraid of YOU Fascist MotherF@cKers... It's time to get in GOOD trouble, necessary trouble.

As I write this, another MURDER today in Minneapolis. 37 year old social activist and ICU nurse, Alex Pretti, was maced and pinned down by four ICE Agents who fired a reported ten shots at point blank range. 
The incident followed the fatal shooting of Renee Good, a 37-year-old mother of three, on Jan. 7. 
The Resistance needs Artists and Musicians to create Anthems and Murals to inform the Movement and motivate peaceful non-violent protest. https://www.canarycanard.com/films.php
 

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JURY 2026

 

In 2023, a three-person jury will decide on the awarding of two prizes. The Poetry Performance Film Prize is set up as an audience  award. The Viennese audience will decide in the cinema on his favourite or the winner of the Poetry Performance Film Award 2026.

 

Grand jury awards  2023 - three people in the jury

 Award German Speaking Countries | Prize-money € 1000.-

Small Jury prize 2026 - Honorable Mention

 

MARTINA PFEILER (RESEARCH, UNIVERSITIES)

MP-2025

Martina Pfeiler was born in Leoben, Austria, in 1976. She studied English and American Studies and Geography and Economic Studies from 1995 to 2001 at the University of Graz and at Roehampton Institute London in the United Kingdom. She completed her habilitation and PhD at TU Dortmund University in Germany, where she received her venia legendi in American literary and cultural studies in 2017. Since 2023, she has been Professor of Anglophone Literary and Cultural Studies at the University of Education Upper Austria. From 2021 to 2024, she was Vice-PI in the ERC/FWF-funded project Poetry Off the Page. Literary History and the Spoken Word at the University of Vienna, where also currently also teaches and conducts research at the Department of English and American Studies. Her book publications on poetry performances include  Poetry Goes Intermedia. U.S.-amerikanische Lyrik des 20. – und 21. Jahrhunderts aus kultur- und medienwissenschaftlicher Perspektive (Francke Verlag) and Sounds of Poetry. Contemporary American Performance Poets (Narr Verlag), as well as several book chapters and articles on the popularization of UK and US-American poetry and on the popularization of Herman Melville’s novel Moby-Dick through Hollywood. She is co-editor of the poetry slam anthology Pott Meets Poetry: The First Illustrated Slam Anthology of the Ruhr Area (Lektora Verlag).

Martina Pfeiler has given numerous international conference presentations and undertaken research stays in Brazil, Japan, the USA, and the UK, including conducting interviews with international poets, filmmakers, and media artis. She is currently working on a co-authored volume titled In the Event of Poetry: Contemporary British Poetry Performance in Context (Palgrave).  https://martinapfeilercrossroads.com/  


 

Mersolis Schöne  (film maker, fine arts, researcher)

Mersolis Schöne

Mersolis Schöne is a multidisciplinary film artist, visual artist, and researcher
based in Vienna, Austria. In his cinematic work, he deals with methods of film-based philosophising as well as with the communication of art, philosophy, and science. In his process-oriented approach, he combines these methods withexperimental and poetic forms. In 2017 he founded Moving Thought – Film+Philosophy (www.movingthought.org) to implement projects that focus on these purposes.
He has received national and international recognition for his films and served as a juror at several international film festivals.

https://www.mersolisschoene.com | https://linktr.ee/mersolis

 

 

   

Hubert Sielecki (film maker, poetry film maker,  fine artist, co-curator)    

Hubert Sielecki

Born 1946 in Carinthia (Austria)  Hubert Sielecki studied 1968-1976 at the University
of Applied Arts in Vienna and at the Film School in Lodz, Poland. In 1982 he graduated from the University of Applied Arts in the painting class under Maria Lassnig he established the Studio for Experimental  Animation Film, which he directed until 2012. Hubert Sielecki is a screenwriter, director, cinematographer, musician, sound technician, performer, draftsman, painter. He makes auteur films and uses mainly the technique of animated film. For his work Hubert Sielecki has received numerous prizes and awards in Austria and abroad.

www.hubert-sielecki.at
 

 

 

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OPEN CALLS POETRY FILM COMPETITIONS 2025

Extended Deadline to January 15, 2026

ART VISUAL & POETRY FILM FESTIVAL
April 7-10, 2026 | KÜNSTLERHAUS VIENNA

 

The Art Visuals & Poetry Film Festival in Vienna is currently the second-largest poetry film festival worldwide. We support productions from German-speaking countries through the main competition. Since many high-quality films are produced outside the border triangle of Switzerland, Austria, Germany, we have created a new competition in 2023: the international Poetry Performance Film Award. With this, we acknowledge the overall quality and importance of international filmmaking for our festival! 

 

 

 

TEXT & POETRY FILMS FROM AUSTRIA, GERMANY, AND SWITZERLAND

 

Poetryfilms are a hybrid art film genre between literature and film. They encompass Schriftfilms (text films), narrative shorts,  animated films, cartoons, and experimental films. The openness and creative experimental space make poetry films an  exciting medium for many artists to create poetry films. Just like last time, we are looking for experimental, deeply thought-provoking, as well as humorous poetry films in our calls for submissions. In short: literary short films that move the audience and have a lasting effect on the viewer. The main competition is open to filmmakers from based in Switzerland, Austria, and Germany. In addition, a second competition, our international poetry  performance film award will be announced, aiming at the art of filming a poetry performance with a camera.
This second main prize of the festival will be awarded by the audience in the cinema hall on site!

 

TO THE DEFINITION: WHAT IS A POETRY FILM?

Whether abstract, classical, with animation, narrative or cinematographic: the genre of poetry film presents itself internationally colorful and diverse;,  as many definitions exist. Scottish photographer and filmmaker Alastair Cook describes poetry film as  "a single entwined entity, a melting, a cleaving together of words, sound and vision. It is an attempt to take a poem and present it through a medium that will create a new artwork, separate from the original poem." 
In contrast to the Anglo-American world, the Vienna Poetry Film Festival defines the term poem very broadly: Everything is allowed that lives up to the predicate "literary": from abstract sound poems, script films, poetic prose, political theater, performance spoken word texts to philosophical texts about poetry that appear in the film context under the term essay film.

 

 

AWARD GERMAN SPEAKING COUNTRIES - DEADLINE JANUARY 15, 2026 | FILM LENGTH UP TO 20 MIN

The main competition is announced transnationally for the entire German-speaking area. German language is desired, as we do not want to permanently drag the predominantly German-speaking audience into subtitle reading. In exceptional cases, we also accept foreign language films with German or English subtitles in the main competition. With the Award German Speaking Countries we address all those filmmakers who either reside in Austria, Switzerland, and Germany or have Austrian, German or Swiss citizenship. The films selected for the competition will be presented in at the Art Visuals & Poetry Film Festival in Vienna in spring 2026. The winner will be announced during the festival.


POETRY PERFORMANCE FILM AWARD - DEADLINE JANUARY 15, 2026 | FILM LENGTH UP TO 7 MIN

Poetry performed for the camera. The camera as stage and audience at the same time. The lyrical moment, captured behind the lens. The performance of the poetic is embalmed in time with light, experienced by the audience through film. The challenge here is not just to film a performance, but rather to think of the medium of film as part of the performance, so that the poetry performance develops a life of its own through the carefully constructed interplay of text/body, image and sound. The new International Poetry Performance Film Prize is open for entries world-wide. The competition will include poetry films with dance, poetry films with performance/acting, as well as performance poetry films from the visual arts, spoken word and poetry slam.


JURY

As in the previous year, the Award German Speaking Countries will be determined by an honorary jury.


PRIZES WITH PRIZE MONEY

We will award the prizes in coordination with our partners & sponsors. Final prize money amounts will be announced at a later date. Currently planned and secured are the prize money:
AWARD GERMAN SPEAKING COUNTRIES:  € 1000.-
POETRY PERFORMANCE FILM AWARD       € 1000.-  


SCREENINGS

The selected films will be screened during the ART VISUALS & POETRY FILMFESTIVAL April 7-10, 2026, in Vienna. The winners will be announced and awarded during the festival! In addition, we occasionally make poetry film screenings as part of ON TOUR with other organizers.

 

DEADLINE

Award German Speaking Countries/ Poetry Performance Film Award       Deadline December 15, 2025
Extended Deadline to January 15, 2026

 

Submissions
 Submit either via Filmfreeway with a small fee or without any costs via this online form: here: 
Link to the online form!

 

 

 

THE CONDITIONS OF PARTICIPATION

The following conditions must be met for successful participation:
- The submitted literary short film or poetry film has a length of 2 min to max. 20 minutes and is based on a literary text. For the new Poetry Performance Award:  length up to 7 min.
-The text or poetry film is not older than 10 years (from the year of creation 2015).
- The film is submitted here for the first time: films submitted in previous years will not be considered.
- For the main competition: the director is from the German-speaking region or resides in one of the countries Austria, Switzerland, Germany. International collaborations within the team (composer / writer) are allowed.
- Art Visuals & Poetry receives the right to publicly present the films in the competition.
- Film submission will arrive in time. Deadline: January 15, 2026 Competition German speaking countries/Poetry Performance Film Award)
-SCREENING FORMAT: Films must be submitted in one of the following formats: mov. or mp4 file, H264, sound 48 000 kHz, 16 bit.

We will do the sightings electronically via internet link, (vimeo/ Dropox) or via other via the FilmFreeway platform. Please do not send us any films for the time being!  Screening versions will be collected later on. The selected films must be available in screening quality shortly after selection. Also, please send the additional information by e-mail to office@filmpoetry.com only after the selection has been made. We would like: a brief artist biography (max. ½ page), a short synopsis, as well as a still from the film (300dpi).

 

Contact address for inquiries or further questions: office@filmpoetry.com 

 

We are looking forward to receiving many exciting film submissions!

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New festival date April 7-10, 2026

 

In 2026, we tried something new for the first time: we attempted to position the Vienna Poetry Film Festival as ideally as possible within Vienna's calendar of events and cultural activities. The festival was therefore moved from autumn to spring, before the Vienna Festival. The 8th edition of the Vienna Art Visuals & Poetry Film Festival is planned for April 7-10, 2026.

 

However, in our search for the ideal festival date, unforeseen organizational obstacles arose, so that in the future we will return to holding the festival in the fall, as was always the case in the past. What makes our festival special is that we keep the poetry film competitions open for several months. This ensures a high quality of submissions.

 

Apart from that, we are excited to see how the current world situation is reflected in poetry films and look forward to seeing the new films with you! 

 

 

Deadline for poetry film submissions will be the 15th of December 2025. 

 

 

 

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